Material cultures of music notation : new perspectives on musical inscription / edited by Floris Schuiling and Emily Payne.
- 其他作者：
- 其他題名：
- Music and material culture series.
- 出版： London ;New York, NY : Routledge c2022.
- 叢書名： Music and material culture
- 主題： Musical notation.
- ISBN： 9780367359522 (hbk.) 、 0367359529 (hbk.) 、 9781000581201 (electronic publication) 、 9781000581164 (electronic book) 、 9780429342837 (ebk.)
- 書目註：Includes bibliographical references and index.
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讀者標籤：
- 系統號： 005149311 | 機讀編目格式
館藏資訊
Material Cultures of Music Notation brings together a collection of essays that explore an essential question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that center the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, identity, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.
摘要註
"Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives thatforeground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship"--Page 1.
內容註
Introduction: Notation and/as material culture -- Part I: Epistemologies of notation. Was 1974 the End of Music History? Universalism, cybernetics, and the International Conference of New Musical Notation / Giulia Accornero ; Encyclopaedias and empty staves: re-reading music in Hanne Darboven's Quartett '88' / Elaine Fitz Gibbon ; Scoring the listener: notation and representation in acousmatic music / Patrick Valiquet -- Part II: Notation and the body. The deaf body beyond music: music notation by Christine Sun Kim / Chae-Lin Kim ; Music, notation, and embodiment in early sixteenth-century Italian pictures / Tim Shephard and Sanna Raninen ; The work of notation in the visual culture of medieval devotion / Beth Williamson -- Part III: Notation and social relations. Jianpu simplified notation and the transnational in musical repertoires of New York's Chinatown / Joseph S. Kaminski ; Mediating minstrelsy: notating instrumental identity in fourteenth-century song / David Maw ; Inscription, gesture, and social relations: notation in Karnatak music / Lara Pearson -- Part IV: Notation, instruments, and technology. Digital scores, algorithmic agents, and encoded ontologies: on the objects of musical computation / Brian A. Miller ; Perforating the subject: the player piano rolls of Conlon Nancarrow / Naomi Woo ; Material bias: David Tudor's realisations / You Nakai ; 'I feel love': music mutation in the electronic age / Kiene Brillenburg Wurth.