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Picasso and Dance1區 ; 英法德意葡西日文字幕

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全世界最頂尖的巴黎歌劇院芭蕾舞團,擁有300年的悠久傳統,平均舞齡為25歲,也是世界最年輕優秀的芭蕾舞團。雖然芭蕾藝術起源於義大利,卻於17世紀誕生於法國宮廷,更於巴黎歌劇院臻近完美,因此芭蕾發展與此舞團可說密不可分。
巴黎歌劇院芭蕾舞校,全球古典芭蕾的搖籃,迎接創校300週年,成為西方世界最古老的傳奇芭蕾舞校!
擁有300年歷史的巴黎歌劇院芭蕾舞校,是國際知名的芭蕾人才培育中心,每年有來自世界各地的小舞者,需先通過身材比例、跳躍能力、確認未來身材發育可能性、音樂與節奏等等評估,之後再接受嚴格的考試與面試,才有機會成為入學新生,但入學並不等於順利畢業,每年都有不少芭蕾小舞者,因為無法通過學校的嚴格審查而遭退學。

摘要註

A program commemorating Pablo Picasso as an artistic collaborator with Serge Diaghilev's Ballets Russes. The first part of the program, The story of a marriage uses Picasso's portrait of his ballerina wife Olga Koklova as a departure point for discussions of his designs for the ballets Parade, Le tricorne, Pulcinella, Mercure, and Le train bleu. The second part consists of reconstructions of two ballets, recorded in performance by the Paris Opéra Ballet at the Palais Garnier. Between 1917 and 1962, Picasso was involved in creating the designs for nine ballets. Le Train Bleu (The Blue Train) dates from 1924 and Le Tricorne (The Three-Cornered Hat) from 1919. These two historic ballets, created originally by Sergei Diaghilev, have been revived by the Paris Opera Ballet. Le Train Bleu is an operetta dansé of a chic and flippant society. Jean Cocteau, who wrote the scenario, mockingly celebrates the cult of open air life, fine bodies and sport. The dances are inspired by golf, tennis, swimming and acrobatics. Le Tricorne is Spanish from start to finish. Picasso, a native of Andalusia, created sets, costumes, and a stage curtain, which evokes the atmosphere of the ballet by means of a typically Spanish scene. The story, told with humour and warmth, is of a miller's wife, her jealous husband and a senile magistrate by whom she is pursued.

內容註

The Story of Marriage / a film by Didier Baussy-Oulianoff ; written and directed by Didier Baussy-Oulianoff ; English version and narration by Robin Scott (ca. 16 min.) -- Le Train Bleu = The blue train / director for television and videogram, Yvon Gerault (ca. 25 min.) -- Le Tricorne = The three cornered hat / director for television and videogram, Yvon Gerault (ca. 39 min.).

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