重製一道平面 - 舞蹈3區
- 題名： One flat thing reproduced / MK2 ; un film de Thierry de Mey ; chorégraphie de William Forsythe.
- 其他作者：
- 其他題名：
- One flat thing, reproduced
- 重製一道平面
- 出版： Taiwan : Sky Digi 2014, c2006.
- 主題： Forsythe, William, 1949-, , Forsythe, William, 1949- , Modern dance. , Documentary films. , Documentary films. , Modern dance. , One flat thing, reproduced (Choreographic work : Forsythe) , One flat thing, reproduced (Choreographic work : Forsythe)
- URL：
https://serv.npac-ntch.org/DVD/5A/DV05471.htm
- 一般註：3區 ; 16:9 Off-air recording of the SBS program broadcast 2/06/2007. Copied on 12/10/2007 under part VA of the Copiright Act 1968 for the educational purposes.
- 製作群註：Production, Charles Gillibert ; music, Thom Willems.
- 演出者註：Dancers/performers: Yoko Ando ... [et al.].
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讀者標籤：
- 系統號： 005126552 | 機讀編目格式
館藏資訊
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美國當代舞蹈大師威廉‧佛賽、比利時作曲家提耶利．德梅與法國龐畢度中心合作
四度獲得紐約舞蹈界最重要的紐約貝茲舞蹈及表演獎、三度獲得英國最重要的戲劇音樂獎項奧倫斯奧立佛獎，更於2012年獲得美國舞蹈節終身成就獎，非凡的舞蹈成就讓威廉‧佛賽成為世界頂尖現代舞創作者之一。他擅長突破框架，使用不同媒介、融合各種元素打造出一齣齣創新舞碼，而他的新作更是不斷超越前作。
《重製一道平面》是威廉‧佛賽的舞碼代表作，於2000年在德國轟動首演，本片將舞蹈場景從劇場舞臺移到空置的車站中央，由比利時知名作曲家兼電影製作人提耶利．德梅與法國龐畢度中心合作，十四位舞者與二十張白色長桌演繹組合。結合現代造型藝術、視覺藝術、建築與互動藝術等元素，以激烈的肢體語言，尋求舞者身體的極限，將數位影像與音樂節奏融入舞蹈對位，打造出前所未見的舞蹈巨作。
摘要註
'One Flat Thing' is a play for 14 dancers and 20 tables on the music of Thom Willems. Unanimously acclaimed by the press, this work of a strong theatrical intensity oscillates between disorder and [symmetry]. This very powerful creation gives rise today to a new work 'One Flat Thing Reproduced'. Realised by Thierry de Mey - one of the most important directors of dance films - designed this film as a full work. The theatrical disposition was studied especially for the shooting, permitting three cameras to shoot the action from different points of view. He catches chore[o]graphic principles [developed] by Forsythe. The way he films, touched by the looks and the exchanges between the dancers, permits to have clear the complexity of creation. Thus, appear very evidently : the aesthetical beauty of shapes, the intensity of the movements and also the human side, thanks to the exchanges of looks. This new experience offers to the audience the possibility of receiving this creation in a completely different way, outside of a theatre.