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Knowing the score : film composers talk about the art, craft, blood, sweat, and tears of writing music for cinema / by David Morgan [interviewer].

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You can't go home again : David Shire on Return to Oz -- Suspicion breeds confidence : Michael Kamen on Brazil -- Unto the breach : Patrick Doyle on Henry V -- Backward prison gangs, Scandinavian hymns, "Danny Boy," and yodeling : Carter Burwell on the Coen Brothers -- Bait-and-switch : Elmer Bernstein on The grifters -- A friend like me : Alan Menken on Howard Ashman and the rebirth of the film musical -- Sounds of Apocalypse : John Corigliano on Altered states -- Life in transformation : Philip Glass on Koyaanisqatsi and Powaqqatsi -- The driving force : Elia Cmiral on Ronin --Steeping yourself in the culture : Carter Burwell on Rob Roy -- Mythmaker : Basil Poledouris on Conan the barbarian -- Carnival of the animals : Mark Isham on Never cry wolf and Fly away home -- It's "The Francie Brady show" : Elliot Goldenthal on The butcher boy -- Everything old is new again : Elmer Bernstein on reinventing Cape Fear -- Dream state : Jocelyn Pook on Eyes wide shut -- Like a duet : Patrick Doyle on Love's labours lost -- A reflection, like the moon on water : Philip Glass on Kundun -- Playing with paradoxes : Mychael Danna on The sweet hereafter -- Provenance : John Corigliano on The red violin -- I'll show thee wondrous things, that highly may advantage thee to hear : Elliot Goldenthal on Titus -- Lost and found : Robert Townson on Alex North, 2001, and the art of the soundtrack album.

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