Hommage à R. Sch.
- 題名： Hommage à R. Sch. / György Kurtág, Robert Schumann.
- 作者： Kurtág, György, 1926- composer
- 其他作者：
- Kashkashian, Kim, 1952- viola
- Brunner, Eduard, 1939-2017. clarinet
- Levin, Robert D., 1947- piano
- Kurtág, György. Neun Stücke. viola.
- Kurtág, György. Jelek, játékok és üzenetek, viola. Selections.
- Kurtág, György. Hommage à R. Sch.
- Schumann, Robert, 1810-1856. Märchenbilder
- Schumann, Robert, 1810-1856. Fantasiestücke, clarinet, piano
- Schumann, Robert, 1810-1856. Märchenerzählungen
- 其他題名：
- Hommage à Robert Schumann
- ECM new series
- 出版： München : ECM Records 1995.
- 叢書名： ECM new series
- 主題： Viola music. , Trios (Piano, clarinet, viola) , Viola and piano music. , Clarinet and piano music.
- URL：
https://serv.npac-ntch.org/CD/26A/C026275.htm
- 一般註：The 2nd work for viola; the 3rd and 6th works for clarinet, viola, and piano; the 4th work for viola and piano; the 5th work for clarinet and piano.
- 演出者註：Kim Kashkashian, viola (1st-4th, 6th works) ; Eduard Brunner, clarinet (3rd, 5th-6th works) ; Robert Levin, piano (3rd-6th works).
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讀者標籤：
- 系統號： 005137402 | 機讀編目格式
館藏資訊
The only perceptible connection between these composers is a certain concentrated inwardness; also, Kurtag's Hommage a R. Schumann is scored for the same combination as Schumann's Op. 132. Recalling Webern's pointillism, Kurtag's pieces are extremely short; full of rests, sound effects, dissonances, and juxtaposing rather than developing musical fragments; and fascinating in their infinite variety. The playing is fabulous. Kashkashian makes light of the double and triple stops, wild leaps, harmonics, and precipitous velocity; her tone is beautiful over a huge range. She finds expression in every note, speaking, sighing, whispering, questioning, attacking, and creating continuity across the silences by sheer power of concentration. The Schumann is free yet concise with lots of character, the expressiveness ranging from dreamy, tender introspection to playfulness, agitation, and passion; the viola sounds wonderful, the interplay between the instruments is splendid. --Edith Eisler [摘自Amazon.com https://www.amazon.com/Kurt%C3%A1g-Schumann-Hommage-R-Sch/dp/B0000031XZ]
摘要註
摘自 音樂時代-唱片購買指南 : 近代作曲家庫爾塔格(G.Kurtag)在八七到九四這七年間，創作了九曲以燦爛演奏巧表達叢林之中深邃、幽靜意象的中提琴獨奏曲，結合他早在一九六一年寫作的六首《Jelek》op.5，由女中提琴家卡許卡湘在九四年首次演出，將中提琴在獨奏性的音效上發揮的相當完整。(宋修傑) 摘自 音樂時代-唱片購買指南 : 本片收錄舒曼的鋼琴與中提琴作品《童話畫冊》，及為鋼琴與單簧管寫的幻想曲等作品，表現浪漫時期典雅優美的特質，與前半部庫爾塔格的曲風大相逕庭，但不失為一精緻之對比。(宋修傑) The only perceptible connection between these composers is a certain concentrated inwardness; also, Kurtág's Hommage á R. Schumann is scored for the same combination as Schumann's Op. 132. Recalling Webern's pointillism, Kurtág's pieces are extremely short; full of rests, sound effects, dissonances, and juxtaposing rather than developing musical fragments; and fascinating in their infinite variety. The playing is fabulous. Kashkashian makes light of the double and triple stops, wild leaps, harmonics, and precipitous velocity; her tone is beautiful over a huge range. She finds expression in every note, speaking, sighing, whispering, questioning, attacking, and creating continuity across the silences by sheer power of concentration. The Schumann is free yet concise with lots of character, the expressiveness ranging from dreamy, tender introspection to playfulness, agitation, and passion; the viola sounds wonderful, the interplay between the instruments is splendid. --Edith Eisler [摘自Amazon.com https://www.amazon.com/Kurt%C3%A1g-Schumann-Hommage-R-Sch/dp/B0000031XZ]
內容註
Neun Stücke für Viola solo (15:30) ; Jelek : op. 5 (6:26) ; Hommage à R. Sch. : op. 15d (9:15) / György Kurtág -- Märchenbilder : op. 113 (15:48) ; Fantasiestücke, op. 73 (12:18) ; Märchenerz ahlungen : op. 132 (10:20) / Robert Schumann.