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The Cambridge companion to the musical / edited by William A. Everett, Paul R. Laird.

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American musical theatre before the twentieth century /. Birth pangs, growing pains and sibling rivalry : musical theatre in New York, 1900-1920 /. Romance, nostalgia and nevermore : American and British operetta i the 1920s /. Images of African Americans : African-American musical theatre, Show Boat and Porgy and Bess /. The melody (and the words) linger on : American musical comedies of the 1920s and 1930s / / Katherine K. Preston --Orly Leah Krasner --William A. Everett --John Graziano --Geoffrey Block. 'We said we wouldn't look back' : British musical theatre, 1935-1960 /. The coming of the musical play : Rodgers and Hammerstein /. The successors of Rodgers and Hammerstein from the 1940s to the 1960s /. Thomas L. Riis and Ann Sears with William A. Everett --. Musical sophistication on Broadway : Kurt Weill and Leonard Bernstein /. Stephen Sondheim and the musical of the outsider /. Choreographers, directors and the fully integrated musical / / John Snelson --Ann Sears --bruce d. mcclung and Paul R. Laird --Jim Lovensheimer --Paul R. Laird. Distant cousin or fraternal twin? Analytical approaches to the film musical /. From Hair to Rent : is 'rock' a four-letter word on Broadway? /. The megamusical and beyond : the creation, internationalisation and impact of a genre / / Graham Wood --Scott Warfield --Paul Prece and William A. Everett.

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