詳細書目資料

274
0
0
0

The jazz method for saxophone / John O'Neill

館藏資訊

內容註

Part one: the Foundation techniques: Assembling the instrument -- Posture -- First attempts -- Breathing exercises -- Tone quality -- The embouchure -- Tonguling -- Fingering. Prat two: Playing the music: Chapter 1: The staff ; Clefs ; Bar and bar-lines ; Time signatures ; Note durations ; Pluse and rhythm ; Taking a breath ; Meronome markings ; Rests -- Chapter 2: Riff ; Crotchets ; The 'pick-up' ; Repeats ; Slurs -- Chapter 3: Low F and E ; Dynamic markings ; Crotchet rests ; Ties ; Syncopation -- Chapter 4: C♯ and F♯ ; Sharps, semitones and accidentals ; Dotted notes ; The natural sign ; Accents ; The pause -- Chapter 5: The break ; Middle D and E -- Chapter 6: Low D and C ; Ledger lines ; First and second time bars -- Chapter 7: Scales ; Chords ; Arpeggios -- Chapter 8: Flats ; Side B♭ vs. bis B♭ ; Key Signatures ; Enharmonic notes ; D. S. alcoda ; F above the break -- Chapter 9: G above the break ; Improvisation ; Relative keys -- Chapter 10: A♭/G♯ and E♭/D♯ ; The Chromatic Scale ; Alternative F♯ and C ; 3/4 time ; Transposition ; Use of space -- Chapter 11: Ear training ; Intervals ; Playing by ear -- Chapter 12: Registers of the saxophone ; Intonation ; High A♭, A, B♭, B, C and C♯ -- Chapter 13: Even quavers ; Beams ; Jazz-rock ; D. C. al Fine -- Chapter 14: Triples quavers -- Chapter 15: Swing quavers ; To swing or not to swing? ; Anticipation ; The blues scale/passing notes ; Repetition -- Chapter 16: Off-beats pharases -- Chapter 17: The dotted crotchet followed by A quaver -- Chapter 18: On-beat quaver followed by two off-beats ; Modes Ascending -- Chapter 19: the high register ; High D, D♯/E♭, E, F and F♯ ; 2/2 or cut time -- Chapter 20: Low D♭/C♯, B and B♭ -- Chapter 21: Construction and Interrelstionship of major and minor scales ; Scale Variations ; Alternative High E, F and F♯ -- Chapter 23: Triplet crotchets -- Chapter 24: Harmony ; Diatonic chords ; Chord symbols ; II-V-I progression ; Chord roots ; Voice-leading -- Chapter 25: Semiquavers ; Grace notes -- Chapter 26: 6/8 time ; 5/4 time ; Tiiegular phrasing -- Coda: Two tunes by Charlie Parker. Part three: Appendices: Bibliography ; Discography ; Mouthpieces and reeds ; Useful accessories ; Care of the instrument ; Transposition ; Some thoughts about practice ; Fingering Chart.

延伸查詢 Google Books Amazon
回到最上