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The jazz method for flute / John O'Neill

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Part one: The Foundation Techniques: Breathing exercises -- First Principls -- Blowing on the Head Joint -- Assembling and Disassembling the Instrument -- Hand Position and Posture -- Fingering -- Tone Development -- Tuning Position -- Tone Quality -- Tonguing -- The Attack. Part two: Playing the Music: Chapter 1: The staff ; Leger liens ; Clefs ; Nars and Bar-lines -- Time signatures ; Note durations ; Pluse and Rhyyhm ; Taking a breath ; Metronome ; markings ; Rests ; Reprats -- Chapter 2: Riffs ; Crotchets ; The 'Pick-up' ; Slurs -- Chapter 3: Low F and E ; Dymanic markings ; The Pause ; Crotchet Rests ; Ties ; Syncopation -- Chpter 4: C♯ and F♯ ; Sharps, Semitones and Accidentals ; Dotted notes ; The natural sign -- Chapter 5: B♭ ; Flats ; Key Signatures ; Enharmonic notes ; First and second time bars ; Accents ; Crescendo and Decrescendo -- Chapter 6: Middle D and E ; The Break -- Chapter 7: Middle F and G ; Improvisation ; Chapter 8: Scales ; Chords ; Arpeggios -- Chapter 9: Low G♯/A♭, Middle D♯/E♭, F♯ and A ; 3/4 time ; Transposition ; Use of space ; The Chromatic scale -- Chapter 10: Ear training ; Intervals ; Inversions ; Playing by Ear -- Chpter 11: Middle A♯/B♭, G♯/A♭ and B, Low D♯/E♭, and high C ; Even Quavers ; Beams ; D. C. al Fine ; Rallentando ; Scale and arpeggio practice: G major and A minor -- Chapter 12: High C♯ ; Triplet practice: G major and E minor -- Chapter 13: Swing quavers ; to seing or not to swing? ; D.S. al Coda ; Anticipation ; The blues scale/passing notes ; Repetition -- Chapter 14 Higj D and D♯/E♭ ; Off-beat phrases -- Chapter 15: The dotted crotchet followed by a quaver ; Modes -- Chapter 16: Low C and C♯/D♭ ; 2/2 or cut time -- Chapter 17: Construction and interrelationship of major and minor scales ; Enharmonic scales ; Practising the scales ; Scale variations -- Chapter 18: The On-beat quaver followed by two off-beats ; Ascending melodic minor scale -- Chapter 19: consecutive off-beats -- Chapter 20: Triplet Crotchets -- Chapter 21: 6/8 time ; 5/4 time ; Irregular ; Phrasing -- Chapter 22: Harmony; Diatonic chords ; Chors symbols ; II-V-I Progression ; Chord roots ; Voice-leading -- Chapter 23: High E, F, F♯ and G ; Harmonics/Overtones -- Chapter 24: Semiqu Part three: Appendices: Bibliography -- Discography -- Useful accessories -- Fingering chart -- Chord progressions for the tunes.

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