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The jazz method for trumpet / John O'Neill ; Steve Waterman

館藏資訊

內容註

Part one: The foundation techniques: Breathing execercises -- The principles of sound production -- 'Buzzing' the lips -- 'Buzzing' on the mouthpiece -- Tone development -- The parts of the instrument -- Assembling and disassembling tje instrument -- Hand position -- Posture -- Fingering -- First notes -- Tuning position -- Tone quality -- Tonguing -- The attack -- Stopping the note. Part two: Playing the music: Chapter 1: The staff ; Leger lines ; Clefs ; Bars and bar-lines ; Time signatures ; Note durations ; Pulse and rhythm ; Taking a breath ; Metronome markings ; Repeats ; Rests -- Chapter 2: Low D and C ; Using the tuning slide ; Harmonics ; Slurs ; Crotchets ; Ties ; The 'pick-up' ; Crotchet rests -- Chapter 3: Middle register A ; Riffs ; Minim rests ; Dynamic markings ; The pause -- Chapter 4: Middle register B♭ and C ; Flats, semitones and accidentales ; 3/4 time ; Dotted notes ; Key signatures ; Improvisation -- Chapter 5: The sharp sign ; Middle register F♯ and B ; Enharmonic notes ; Crescendo and decrescendo ; Accents ; The natural sign ; First and second time bars -- Chapter 6: Scales ; Chords ; Arpeggios -- Chapter 7: Low D♯/E♭ and middle G♯/A♭ -- Chapter 8: Middle C♯/D♭ ; Middle D ; Transposition ; Articulation ; Low C♯/D♭ ; Chromatic scale -- Chapter 9: Low B and A ; D.S. al Coda ; Low A♯/B♭ ; Pentatonic scale ; Use of space ; Relative keys ; Scale and arpeggio practice ; D major and B minor -- Chapter 10: Ear training ; Intervals ; Inversions ; Playing by ear -- Chapter 11: Even quavers ; Beams ; Low G♯/A♭ ; The flugelhorn ; Middle D♯/E♭ ; Scale and arpeggio practice ; B♭ major -- Chapter 12: Triplet quavers ; Vibrato ; Low G ; Half-valves ; Scale and arpeggio practice ; G major -- Chapter 13: More on warming up and practising -- Chapter 14: Swing quavers ; To seing or not to swing? ; Articulating swing quavers ; The blues scale/passing notes ; Repetition ; Scale practice: E minor -- Chapter 15: Off-beat phrases ; High F ; Mutes ; The plunger mute ; Growls and flutter-tongue ; Low F♯/G♭ ; Scale practice: F major and D minor -- Chapter 16: The dotted crotchet followed by a quaver ; D.S. al Fine ; The harmon mute ; Modes ; High F♯ and G -- Chapter 17: More on articulation -- Chapter 18: Construction and interrelationship of major and minor scales ; Scale variations -- Chapter 19: The on-b Part three: Appendices: Bibliography -- Discography -- Mouthpieces -- Useful accessories -- More on mutes -- Care of the onstrument -- Transposition -- Notes of the harmoinc series ; Alternative fingering -- Fingering chart -- Chord progressions for tunes.

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