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The fantasia, I (16th to 18th centuries). By Peter Schleuning

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Introduction -- Fundamental principles of the Fantasia genre -- The 16th century -- The 17th century -- The 18th century -- Music Section: fantasy in fa (1524) / Leonhard Kleber (c. 1490-1556) ; Fantasia (1535) / Luys Milam (c. 1500-after 1561) ; Preambel oder Fantasey (1536) / Hans Newsidler (1508-1563) ; Fantasia (1536) / Francesco da Milano (?1497-1543) ; Fantasia allegra (1596) / Andrea Gabrieli (c. 1510-1586) ; [Fantasia] Ut, re, mi, fa, sol, la (c. 1610) / John Bull (1563-1628) ; Fantasia / Giles Farnaby (c. 1560-1620) ; Fantasia / Pieter Cornet (first half of the 17th century) ; [Fatasia] "Sextus Versus" of the chorale variations on "Es ist das Heil nus kommen her" / Matthias Weckmann (1619-1674) ; Fantasia (1697) / Johann Krieger (1649-1725) ; Fantasia / Johann Pachelbel (1653-1706) ; Fantasia (1710) / Antonio Vivaldi (c. 1680-1743) ; Fantasia (before 1735) / Georg Friedrich Kaufmann (1679-1735) ; Fantasia (1733) / Georg Philipp Telemann (1681-1767) ; Fantasia / Georg Andreas Sorge (1703-1778) ; Fantasia Maestoso / Georg Christoph Wagenseil (1715-1777) ; Fantasia cromatica / cadenza section (before 1730) / Johann Sebastian Bach (1685-1750) ; Chromatische Fantasie / Johann Ludwig Krebs (1713-1780) ; Fantasia / Johann Ernst Bach (1722-1777) ; Fantisia (1768) / Georg Simon Lohlein (1725-1781) ; Fantasia allegretto (1768) / Carl Philipp Emanuel Bach (1714-1788) ; "Written" version of C. P. E. Bach's "Fantasia allegretto" (1790) / Johann Carl Friedrich Rellstab (1759-1813).

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