莫札特費加洛婚禮全區中英法德西文字幕
- 題名： Le nozze di Figaro / production of Unitel GmbH & Co. KG, Munich, and BFMI GmbH, Salzburg, in co-production with ORF, BR and Classica, in cooperation with the Salzburg Festival.
- 作者： Mozart, Wolfgang Amadeus, 1756-1791.
- 其他作者：
- 其他題名：
- 莫札特 費加洛婚禮.
- 出版： Hamburg : Deutsche Grammophon Gessellschaft mbH c2006.
- 叢書名： M Mozart 22
- 主題： Man-woman relationships--Drama. , Marriage in opera--Drama. , Feature films. , Romance drama. , Musical films. , Music--Performance. , Romance--Performance. , Musical films.
- URL：
https://serv.npac-ntch.org/DVD/2A/DV02353.htm
- 一般註：DV02353-54為公播版 DVD. Title from container.
- 製作群註：Staged by Claus Guth; directed by Brian Large; producer Harald Gericke.
- 演出者註：Ildebrando D'Archangelo (Figaro); Anna Netrebko (Susanna); Bo Skovhus (Il Conte Di Almaviva); Dorothea Röschmann (La Contessa); Christine Schäfer (Cherubino) ; ; Wiener Philharmoniker ; Nikolaus Harnoncourt, conductor.
- 語文註：Sung in Italian; English, French, German, Spanish, or Chinese subtitles; English, French or German liner notes.
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讀者標籤：
- 系統號： 005058457 | 機讀編目格式
館藏資訊
摘自 博客來DVD館 網站
在莫札特誕生兩百五十週年的2006年，莫札特出生地薩爾茲堡的音樂節宣佈史無前例地音樂節中結合目前樂界最傑出的莫札特歌手、指揮家哈農庫特、哈丁、諾林頓、明考夫斯基、慕提……以及七位名歌劇導演，以兩個多月的時間上演莫札特創作的22部歌劇（或是類似歌劇的作品），呈現莫札特的22種面貌。
《費加洛的婚禮》是莫札特的歌劇中最著名的一部，劇本根據法國劇作家包馬榭的同名作品改編而成，原著的意義在探討法國大革命前各個不同階層間緊張對峙的關係。法國作家與樂評人斯丹達爾認為，莫札特的歌劇「出色的結合機智與憂鬱」。
劇中自負的伯爵、遭丈夫遺棄而抑鬱終日的伯爵夫人、黠慧狡猾的費加洛、沉著冷靜的蘇珊娜與情竇初開的凱魯畢都依照自己的個性追求他們的愛情，而莫札特的音樂淋漓盡致地刻劃出五位要角的個性與內心變化。
摘要註
Preparing for their wedding, the valet Figaro learns from the maid Susanna that their philandering employer, Count Almaviva, has designs on her. In her boudoir, the Countess laments her husband's waning love but plots to chasten him, encouraged by Figaro and Susanna. Susanna leads the Count on with promises of a rendezvous in the garden. Alone later that day, Susanna rhapsodizes on her love for Figaro, but he, overhearing, thinks she means the Count. Almaviva chases Cherubino away and sends his wife, who he thinks is Susanna, to an arbor, to which he follows. By now Figaro understands the joke and, joining the fun, makes exaggerated love to Susanna in her Countess disguise. The Count returns, seeing, or so he thinks, Figaro with his wife. Outraged, he calls everyone to witness his judgment, but now the real Countess appears and reveals the ruse. Grasping the truth at last, the Count begs her pardon.