The Glenn Gould collection XI. XII. Ecstasy and wit ; Epilogue.
- 其他作者：
- Toronto Symphony.
- Sony Classical GmbH.
- Gould, Glenn, 1932-1982.
- Strauss, Richard, 1864-1949. Wie erkenn' ich mein Treulieb vor andern nun?, op. 67, no. 1.
- Strauss, Richard, 1864-1949. Guten Morgen, 's ist Sankt Valentinstag, op. 67, no. 2.
- Strauss, Richard, 1864-1949. Sie trugen ihn auf der Bahre bloss, op. 67, no. 3.
- Casella, Alfredo, 1883-1947. Ricercari sul nome B-A-C-H.
- Roslak, Roxolana.
- Ančerl, Karel, 1908-1973.
- 其他題名：
- Ecstasy and wit
- Epilogue
- 出版： [S.l.] : Sony Classical c1992.
- URL：
https://serv.npac-ntch.org/LD/1B/L001287.htm
- 一般註：Laser Disc, Mono (20-bit remastered for "High Definition Sound") "SLV 48 416" Based on the Revcom series, Glenn Gould plays (1987, Canadian Broadcasting Corp.)
- 製作群註：Executive producer, Fritz Buttenstedt ; written & directed by Bruno Monsaingeon.
- 演出者註：Glenn Gould, piano ; Roxolana Roslak, soprano ; Toronto Symphony ; Karel Ančerl, conductor.
-
讀者標籤：
- 系統號： 005058685 | 機讀編目格式
館藏資訊
內容註
Piano sonata no. 17, op. 31 no. 2 "The Tempest" / Ludwig van Beethoven. I. Largo - Allegro. II. Adagio. III. Allegretto -- Prélude op. 49 no. 2 / Alexander Scriabin -- Glenn Gould about the Ophelia Lieder -- Drei lieder der Ophelia, op. 67 nos. 1-3 (William Shakespeare: Hamlet) / Richard Strauss. I. Wie erkenn ich mein Treulieb vor andern nun. II. Guten Morgen. III. jSie trugen ihn auf der Bahre bloss -- Glenn Gould as Myron Chianti -- Commentary by Bruno Monsaingeon -- Goldberg-Variationen, BWV 988 / Johann Sebastian Bach. Aria, Variatio 3, 6, 9, 12, 15, 27 -- Commentary by Bruno Monsaingeon -- 2 Ricercari sul nome B-A-C-H, op. 52 / Alfredo Casella. Ricercare no. 1 -- Das Wohltemperierte Clavier, Teil 2 / Johann Sebastian Bach. Praeludium &. Fuga (a 3 voci) III, BWV 872. Praeludium &. Fuga (a 4 voci) XXII, BWV 891 -- Commentary by Bruno Monsaingeon -- Glenn Gould about the "Emperor" concerto (with Humphrey Burton) -- Conceerto for piano and orchestra no. 5, op. 73 "Emperor" / Ludwig van Beethoven. I. Allegro. II. Adagio un poco mosso-attacca:. III. Rondo. Allegro.