Developing jazz technique for saxophone : improvisation, style, special effects / John O'Neill
- 作者： O'Neill, John, 1955-
- 出版： London : Schott 2000.
- 主題： Saxophone--Methods (Jazz). , Jazz music--Instruction and study.
- ISBN： 1902455002
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讀者標籤：
- 系統號： 005040731 | 機讀編目格式
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內容註
Acknowledgements -- Introduction -- Ear-trainting -- The tunes: Improvising with modes and scales ; 'Happy Feet'—double sharps ; 'I will call you'—the Phrygian mode ; 'Hello, goodbye'—the Aeolian and Lydian modes ; Vibrato ; 'Steal away' ; 'She moved tgrough the Fair' ; Improvisation on simple harmonic froms ; 'Calypso joe'—voice-leading, 'tendency tones', voice-leading exercises ; 'Bill baily'—diminished 7th chrods, resolution of thedominiant 7th chrosd, 'false' fingering ; 'Three Brothers (B. J. N. Blues)'—riff blues, 'blue' notes ; V-IV-I variation ; J. S. Bach as a model for development of the melodic line ; 'Invention l'—mordents, trills, gracenotes ; special effects subtone ; 'Webster's Mood'—'ghosted' note ; Preparatory exercise for 'bending' the pitch ; 'Blues for Rabbit'—the 'scoop' or 'lip-up', 'growl' ; More special effects ; 'Wade in the water'—the 'fall' or 'spill' ; 'The bicycle' ; II-V-I in major and minor ; 'II-V-I bossa nova'—'open' voicings, substitution of G+ for G7, using C6 to create movenment inn the I chord ; 'tiger, tiger, burning bright...'—II-V-I in minor , sobstitution of A-6 for A-♮7 ; 'Otra vez' ; More on the blues—transposition and melodic displacement ; 'K. C. Blues'—II-V-I in bars 9, 10 and 11, melodic displacement ; Overtones and 'False' fingerings ; The harmonic or Overtone series ; Excericese for producing overtones from low B♭, B, C and C♯ ; 'Casa nova' ; Diminished and whole tone scales ; Diminished scale exercises—construction of the diminished scale ; 'Tiptoe' ; Whole tone exercises ; 'Whole tone zone' ; 2/4 Time: Ragtime and samba ; 'the easy winners'—ragtime ; 'Crisis in mahe'—notation of samba rhythms, minor traid with major 7th ; The blues part III and rhythm changes ; 'Studio cat'—chromatic passong tones, stop-time, dominant 7th with ♭9 ; 'Bebop licks'—trills from C to D -- Patterns: Major scale patterns ; Minor scale patterns ; Pentatonic scales ; Neifhbour notes -- A basic